Rybalka (Fishing) is catching images from the past, intellectual game with intervention in passed times.
\nThe acquisition of meanings and images from the past with the help of old photographs, from the past of these photographs, from the past prisoner in them and on the side of the edges of their cadres.
\nTool:
\n1. Photographs of films, boxes from them, apparatus, which made pictures, equipment.
\n2. Comparison in the diptych – the emergence of a new relationship between the images.
\n3. Immersion, placement in the past, in the context.
\nThe information message – the key – the hook, which would allow the interpretation of the picture, for the viewer who does not know this personal story – a new and unique.
\n4. The transformation into “I-nowell” – the addition of a protagonist in a separate layer – as a bait for imaginary fish.<\/p>\n

Inverted page – a bygone generation – passage of time. Printing from negatives of the grandfather in the lith print technique.
\nThe possibility of co-authorship at the level of selecting photos for printing.<\/p>\n

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Rybalka (Fishing) is catching images from the past, intellectual game with intervention in passed times. The acquisition of meanings and images from the past with the help of old photographs, from the past of these photographs, from the past prisoner in them and on the side of the edges of their cadres. Tool: 1. Photographs<\/p>\n

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